LONGLISTED FOR THE BOOKER PRIZE
AN OPRAH'S BOOK CLUB PICK
AN INSTANT NEW YORK TIMES BESTSELLER
“Douglas Stuart brilliantly weaved a layered, compelling and yet so intimate a story of identity, what it means to belong, and the courage to claim your own truth.”—Oprah Winfrey
From the Booker Prize-winning and New York Times bestselling author of Shuggie Bain and Young Mungo comes a vivid, moving novel following a young man returning to his Hebridean island home, a portrait of a father’s expectations and a son’s desires
Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the Isle of Harris in the Outer Hebrides to find that little has changed except for him. He returns to the windswept croft and the two pillars of his childhood: his father John, a sheep farmer, tweed weaver, and lay preacher in the local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian whose steady warmth helped Cal weather the sudden departure of his mother.
Cal privately wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair, strange clothes, and seeming unwillingness to be Saved. But Cal isn't the only one in the croft house who is keeping secrets. As lambing season turns to shearing season, the threads holding together the community together become increasingly frayed, and nothing will remain as it was before.
John of John is a singular novel about duty, passion, and the transformative power of the truth. It is a magnificent literary work that cements Douglas Stuart's reputation as one of our greatest novelists working today.
In this haunting novel, a young Irish gangster is caught in a brutal world between love and loyalty.
Tony Ward is back in West Dublin after lying low in England, having murdered a rival five years earlier. When he returns, he finds a different landscape: His mentor is dead and his best pal has gone straight.
So when a chance arises to work for the enforcer of a notorious crime boss, Tony jumps at it. Flute is a far cry from the quiet boy Tony remembered from school. Working as his right hand gives Tony protection from his earlier crimes as well as the opportunity to reach for the life he wants. While he's eager to prove himself as his own man, Tony also feels a pull toward Flute -- a feeling that Flute reciprocates.
As he draws closer to Flute, Tony begins to understand how unyielding his new life actually is. Is there room for love in such a world, where nothing stays buried forever and where retribution is just a bullet away?
By turns savage and tender, All Them Dogs is a gripping noir set in West Dublin's drug world. Author Djamel White explores how his characters struggle to find balance in a place where violence, greed, and desire overlap, and how tenuous that balance can be.
From the beloved, award-winning author of the modern classics Lost Children Archive and Tell Me How It Ends comes her most powerful and page-turning novel yet: the tale of a mother and a daughter starting over, searching for a new story.
"A beautiful, maybe perfect, novel.” —Tommy Orange, author of Wandering Stars
This story begins when a mother and her daughter take off on a trip. It is a summer of rapidly changing winds, volcanic rumbles, and sudden tempests. They’ve landed in Sicily, near the ancient ruins where the mother’s grandmother worked long ago on an archaeological dig. The narrator’s marriage has collapsed, her mother is losing her memory, and her daughter is on the threshold of adolescence, starting to ask difficult questions and form complex memories. How do you begin again? the narrator wonders, pondering her family line. How do you begin again if you got the beginning wrong?
While the mother tries to figure out how to reconstruct their lives as a duo—cooking meals side by side, reading out loud to each other, playing chess, bickering and making up—her daughter takes the reins of the story, and their journey soon becomes a quest for origins, not just to the familial past across continents, languages, and generations, but also farther back, to a mythical and even geological past.
Beginning Middle End evolves into a road novel of exquisite tenderness, spanning four generations of women. In their travels through Sicily, mother and daughter cross paths with the island’s migrants, storekeepers, and elders, and also its volcanoes, its winds, and its waters. Weaving myths, ancient philosophy, and natural history with fleeting moments of contemporary life, the unforgettable characters in this novel take us on a journey across time, and confront some of life’s primary questions: How do stories shape our children’s memories and imagination? How do we situate ourselves deeply in the world while accepting our transience in it? How are a family’s memories made and what happens when they disappear?
Warm, funny, and poetic, this novel is an ode to imagination and possibility in dark times.
A deluxe edition of James Baldwin's groundbreaking novel with a new introduction and a stunning package.
Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni. With sharp, probing insight, James Baldwin's classic narrative delves into the mystery of love and tells a deeply moving story that reveals the unspoken complexities of the human heart.
Propelled by the same superb instinct for storytelling that made The Kite Runner a beloved classic, the #1 New York Times bestseller A Thousand Splendid Suns is at once an incredible chronicle of thirty years of Afghan history and a deeply moving story of family, friendship, faith, and the salvation to be found in love.
“Just as good, if not better, than Khaled Hosseini’s best-selling first book, The Kite Runner.”—Newsweek
Khaled Hosseini returns with a beautiful, riveting, and haunting novel that confirms his place as one of the most important literary writers today.
Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them-in their home as well as in the streets of Kabul-they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival.
A stunning accomplishment, A Thousand Splendid Suns is a haunting, heartbreaking, compelling story of an unforgiving time, an unlikely friendship, and an indestructible love.
The #1 New York Times bestselling debut novel that introduced Khaled Hosseini to millions of readers the world over.
The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, caught in the tragic sweep of history, The Kite Runner transports readers to Afghanistan at a tense and crucial moment of change and destruction. A powerful story of friendship, it is also about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.
Since its publication in 2003 Kite Runner has become a beloved, one-of-a-kind classic of contemporary literature, touching millions of readers, and launching the career of one of America's most treasured writers.
BEGINS SHIPPING 8.18.26
The bestselling Indigenous dark fiction anthology returns with a new selection of even more daring and sinister stories. From monsters to mutilation, Never Whistle at Night is back for revenge.
Featuring stories by:
Jessica Doe • P.C. Verrone • Theodore C. Van Alst Jr. • Jim Terry • Jessica Johns • A.J. Eversole • Sonia Marie Barry • Shane Hawk • Stephen Graham Jones • Alicia Elliott • Mat RudeWalker • Shaawan Francis Keahna • Billy-Ray Belcourt • Jake Arrowtop • Alina Pete • Debra Magpie Earling • Joshua Whitehead • Tommy Orange • Ramona Emerson • Erica Tremblay • Kimberly Blaeser
They’re baaaaaaaaaack!
As any savvy horror fan knows: the monster never truly dies. The team that brought you the bestselling dark fiction anthology Never Whistle at Night has risen, hungry, from the grave to summon more dark delicacies for your delectation. In these twenty-one brand-new, groundbreaking, gruesome stories—authored by both established and newly unearthed Indigenous talent and illustrated by renowned Cheyenne and Arapaho painter Brent Learned—the contributors are fully embracing horror: both supernatural horrors and the everyday horror of living under colonialist rule.
Featuring stories of unspeakable yet satisfying terror, from twisted psychological tales to gore-filled monster hunts, this new selection of sinister stories will sate your darkest appetites and leave you slavering for more. Never Whistle at Night, Part II: Back for Blood is a further celebration of Indigenous survival and the enduring tradition of transforming adversity into art.
«Las obras de Traven son duras, llenas de descripciones de peligro, crueldad y sufrimiento tanto físico como emocional, pero su prosa sobria y directa tiene unainmediatez hipnótica y las narraciones y los temas son claros y poderosos.» -Enciclopedia Británica
B. Traven, nacido en Alemania, vivió más de la mitad de su vida en México y sintió gran admiración por su gente. Canasta de cuentos mexicanos es un testimonio de ello a través de diez cuentos que retratan las costumbres, ideas y conflictos del país durante la primera mitad del siglo XX.
Estos relatos presentan dos perspectivas de existir en el mundo que se contraponen: la visión pragmática y a veces cínica del foráneo, que representa los intereses económicos o políticos, y la sabiduría popular de los mexicanos que, con humor, astucia y dignidad enfrentan el día a día. Las historias de Traven van del absurdo a la tragedia, retratando las tensiones que hay en el poder, lo marginal, la justicia y la resistencia.
Zami: A Carriacou name for women who work together as friends and lovers
“Zami is a fast-moving chronicle. From the author’s vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde’s work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page.”—Off Our Backs
“Among the elements that make the book so good are its personal honesty and lack of pretentiousness, characteristics that shine through the writing bespeaking the evolution of a strong and remarkable character.”—The New York Times
A deluxe edition of James Baldwin's haunting coming-of-age story, with a new introduction by Roxane Gay and a stunning package.
Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle toward self-invention opened new possibilities in the American language and in the way Americans understood themselves.
From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.
“Deeply rewarding . . . a dreamscape with a powerful undertow . . . [a] harrowing and labyrinthine masterpiece.”—Katie Kitamura, The New York Times (Editors’ Choice)
A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, Esquire, Marie Claire, Denver Public Library
A city is always a cemetery.
A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”
The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.
Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.
Casa de Niebla se inicia con una advertencia: ”No habrá asesinato ni asesino, pero sí existirá un crimen”. Ubicada en los primeros días del siglo XX, esta novela cuenta la historia de Helga en una mansión cercada por la niebla, mientras el fantasma de Teresa aparece todas las noches rondando las aguas de la laguna. Se crea así la atmósfera de una novela llena de sombras y misterios para la protagonista, que vive el amor no correspondido e incursiona en la realidad onírica. Escrita en la década de los cuarenta, la estética gótica se elabora utilizando técnicas cinematográficas de aquella época en el estilo tan peculiar de María Luisa Bombal. El crimen descifrado a través del formato detectivesco arroja pistas sobre un adulterio que irónicamente resulta impune. Y en el contraste, lo sobrenatural, la vida más allá de la muerte se presenta como aquello que no admite pesquisas racionales. Publicada en 1947 en inglés bajo el título House of mist y traducida hasta ahora al francés, sueco, portugués y japonés, después de sesenta y cinco años los lectores de habla hispana pueden acceder a la única obra inédita en español de una de las más grandes escritoras chilenas y latinoamericanas del siglo XX.
In this part-memoir, part-manifesto, an acclaimed poet interprets Black radical literary traditions to reimagine freedom through refusal.
Over the past decade, Camonghne Felix has been at the center of American politics, working in strategy, communications, and as a speechwriter. Throughout it all, she has maintained her unwavering belief in language’s foundational revolutionary potential, outside of its deployment for legislative and political ends. In this groundbreaking work of nonfiction, she argues that Black radical poetic traditions model an ethical code and overcome entrenched structures of patriarchy and paternalism, inventing a new form that examines the historical and legislative, and the personal and poetic.
Felix draws on stories from her life in campaigns and the decisions she has had to make: preparing speeches for candidates, responding to harassment, recruiting staff. She recounts her moving personal history—accompanying her mother, a lawyer, to court, and her father, a participant in the Grenadian revolution of 1983, to protests—as well as her coming-of-age being schooled in a wider tradition of Black radical thinkers, from Gwendolyn Brooks to Audre Lorde.
Through rupture, rhythm, and a refusal of politics as usual, Let the Poets Govern encourages us to hold ourselves to the standards of our highest ideals and embraces our shared humanity.
"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.
I watched a lion eat a man like a piece of fruit, peel tendons from fascia
like pith from rind, then lick the sweet meat from its hard core of bones.
The man had earned this feast and his own deliciousness by ringing a stick
against the lion's cage, calling out Here, Kitty Kitty, Meow!
With one swipe of a paw much like a catcher's mitt with fangs, the lion
pulled the man into the cage, rattling his skeleton against the metal bars.
The lion didn't want to do it
He didn't want to eat the man like a piece of fruit and he told the crowd
this: I only wanted some goddamn sleep . . .
A punk revival of Medea as a meddling anti-angel of birth and death, from the International Booker Prize–nominated author of Reservoir Bitches.
In the mythic but all-too-familiar country of Aztlán, the violence of the cartel and the military are ever-present and indistinguishable, and everyday people strive to survive in the cross fire. Enter Medea: a deity with punk-rock flair, equal parts midwife and gravedigger, ancient but never too old to be petty.
In this novel in stories from the author of the International Booker Prize–nominated Reservoir Bitches, a reimagined Medea helps a trophy girlfriend with her abortion, accompanies a mother in search of her lost son in the desert, and embraces tragic victims of the state and its proxy wars. Dahlia de la Cerda’s prose pierces the heart and introduces readers to a magnetic new version of a mythological icon—a femme fatale legend in a fatalistic world.
This is the acclaimed, bestselling translation of Mikhail Bulgakov’s masterwork, an undisputed classic of Russian and world literature. “A soaring, dazzling novel.” (New York Times)
A novel of inexhaustible energy, humor, and philosophical depth, The Master and Margarita is an audacious revision of the stories of Faust and Pontius Pilate and is recognized as one of the essential classics of modern literature.
This edition's superb English translation by Diana Burgin and Katherine Tiernan O’Connor’s, along with an afterword and extensive commentary by Ellendea Proffer Teasley, heighten the pleasure of exploring this classic.
The novel’s vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author’s lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.
One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan.
But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing to literally go to hell for him.
The award-winning, bestselling author of Hamnet and The Marriage Portrait returns with a soaring historical novel set in Ireland in the years before and after the Great Hunger.
On a windswept peninsula stretching out into the Atlantic, Tomás and his reluctant son, Liam, are working for the great Ordnance Survey project to map the whole of Ireland. The year is 1865, and in a country not long since ravaged and emptied by the Great Hunger, the task is not an easy one. Tomás, however, is determined that his maps will be a record of the disaster.
The British soldiers in charge are due to arrive any day, expecting the work to be completed, but Tomás is unexpectedly sent off course by an unsettling encounter in a copse. His life, and the lives of those of his family, will never be the same again. Liam is terrified by the sudden change in his taciturn father. What was it that caused such cracks to open in Tomás, and how is Liam, aged only ten, going to finish the mapping and get them both home?
Land is a novel about separation and reunion, tragedy and recovery, colonization and rebellion. It is a story of buried treasure, overlapping lives, ancient woodland, persistent ghosts, a particularly loyal dog, and how, when it comes to both land and history, nothing ever goes away. As spellbinding and varied as the landscape that inspired it, Land is, above all, a story of survival, for our times and for all time.
A vivid, surreal Gothic about a queer, Latine, working class witch who sets out to rescue a bespelled heiress and loses control of her powers and her heart in the process.
It is 1968 Oakland, and Natalia Fuentes has been hearing rumors about the beautiful Violeta Miramontes. The young heiress to Spanish colonial wealth has been left paralyzed by a mysterious illness. But Nati knows a thing or two about witchcraft, and she is certain that this is the work of dark magic.
Armed with a plan to break the spell and earn a handsome reward, Nati works her way into the house as Violeta’s caretaker, and immediately discovers her suspicions are true. But who cursed Violeta? And why?
As feelings between the two women bloom into romance, Nati grows more and more reckless, and is forced to face her own ghosts— ones she hoped would stay gone forever.
Riveting and richly layered, Muñeca explores how far one will go to save the person they love—even if that means damning themselves. Cynthia Gómez fills her debut novel with moments that chill your bones and warm your heart, a razor-sharp examination of deep-rooted issues that will haunt readers long after the last page is turned.
“Was desire something like being possessed by a nightmare?”
Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise?
When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.
In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border.
Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father.
Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home.
A Southwest Review Must Read Book of 2024
One of Publishers Weekly's Best Books of 2024
A 2024 Indie Next Pick selected by booksellers
In this debut novel, Clyo Mendoza, a young, award-winning Mexican poet and novelist, weaves together multiple narratives into a lyrical, shape-shifting existential reflection on love, violence, and the power of myth.
“Fury has the poetic and wild force of the desert. In its pages there is tenderness, fear and forceful, rhythmic writing with images that are difficult to forget. It is about the violence of desire that turns us into dogs that drool, howl and bite, but also about love in the midst of hostility and helplessness. This is why it is a disturbing and, at the same time, deeply moving novel.” —Mónica Ojeda
"A beguiling and enticing fever dream of sex and violence in the Mexican desert. . . . This is impossible to put down." —Publishers Weekly, starred review
In a desert dotted with war-torn towns, Lázaro and Juan are two soldiers from opposing camps who abandon the war and, while fleeing, become lovers and discover a dark truth. Vicente Barrera, a salesman who swept into the lives of women who both hated and revered him, spends his last days tied up like a mad dog. A morgue worker, Salvador, gets lost in the desert and hallucinating from heat and thirst, mistakes the cactus for the person he loves. Over the echoes of the stories of these broken men—and of their mothers, lovers and companions—Mendoza explores her characters’ passions in a way that simmers on the page, and then explodes with pain, fear and desire in a landscape that imprisons them.
After winning the International Sor Juana Inés de la Cruz Poetry Prize, Clyo Mendoza has written a novel of extraordinary beauty where language embarks on a hallucinatory trip through eroticism, the transitions of conscience, and the possibility of multiple beings inhabiting a single body. In this journey through madness, incest, sexual abuse, infidelity, and silence, Fury offers a moving questioning of the complexity of love and suffering. The desert is where these characters' destinies become intertwined, where their wounds are inherited and bled dry. Readers will be blown away by the sensitivity of the writing, and will shudder at the way violence conveyed with a poetic forcefulness and a fierce mastery of the Mexican oral tradition.
"An amazing, hypnotic and beautiful novel, like contemplating the desert." —Juan Pablo Villalobos
A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties
In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope―the haunted house, erotica, the bildungsroman―through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.
Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
From New York Times bestselling author Donna Barba Higuera, Firesnake delivers a triumphant finale to the story that began with the Newbery Medal–winning The Last Cuentista and continued in the Pura Belpré Honor–winning Alebrijes.
Itzel has never known a life on Earth. Growing up on Sagan, the granddaughter of the Cuentista, her years have been spent among the dactyls, griblets, and billow seeds of their new planet. But when a mysterious message arrives from across the cosmos, Itzel realizes that the home they thought destroyed hundreds of years ago has survived . . . and with it, another community of humans. Will she and the other Saganites brave the journey back to Earth? And what will they find? For they are not the only ones who have received this message . . .
Master storyteller Donna Barba Higuera brings her beloved Cuentista trilogy to a close in a book full of old friends and new, jaw-dropping twists, and a journey to the stars and back.
A groundbreaking voice in contemporary Latin American literature, María Fernanda Ampuero’s writing is “raw and savage” as she confronts machismo, inequity, and violence in this acclaimed short story collection (Vistazo).
An undocumented woman answers a job posting only to find herself held hostage, a group of outcasts obsess over boys drowned while surfing, and an unhappy couple finds themselves trapped in a terrifying maze. With scalpel-like precision, Ampuero considers the price paid by those on the margins so that the elite might lounge comfortably, considering themselves safe in their homes.
Simultaneously terrifying and exquisite, Human Sacrifices is “tropical gothic” at its finest—decay and oppression underlie our humid and hostile world, where working-class women and children are consistently the weakest links in a capitalist economy. Against this backdrop of corrosion and rot, these twelve stories contemplate the nature of exploitation and abuse, illuminating the realities of those society consumes for its own pitiless ends.
From a celebrated Native journalist, an electrifying memoir of travel, love, friendships, and connection across cultures.
"Best memoir of the summer." —Piper Kerman, author of Orange Is the New Black
"An origin story of a mighty, independent Indigenous woman finding her power in a broader, borderless world." —Chris La Tray (Anishinaabe), author of Becoming Little Shell
Growing up on the Torres Martinez Reservation in Southern California, Terria Smith longed for adventure. She became a journalist, hitting the road and reporting on the rich lives of Native people around the United States. As her hunger for travel grew, so did her understanding of community, and what it means to be a world citizen today. I Love You So Many—named after a favorite expression of her Spanish-speaking relatives—follows Smith from her ancestral homelands to Cuba, Iceland, Guyana, and back again. With exuberant, laugh-out-loud style she tells stories about forging profound friendships, falling in and out of love, and celebrating the determination that carried her through hard and heady times alike. She brings a fresh sensibility to travel writing, building enduring relationships with the people and cultures she visits. For Smith, travel is deeply rooted in Native traditions: It’s about sharing, reciprocity, risk-taking, and the valuable (and sometimes awkward) work of bridging and holding differences. As fun as it is poignant, I Love You So Many is an irresistible tribute to getting out and living a life in full.
Centered around the 1986 attempt on the life of Augusto Pinochet, an event that changed Chile forever, My Tender Matador is one of the most explosive, controversial, and popular novels to have been published in that country in decades. It is spring 1986 in the city of Santiago, and Augusto Pinochet is losing his grip on power. In one of the city's many poor neighborhoods works the Queen of the Corner, a hopeless and lonely romantic who embroiders linens for the wealthy and listens to boleros to drown out the gunshots and rioting in the streets. Along comes Carlos, a young, handsome man who befriends the aging homosexual and uses his house to store mysterious boxes and hold clandestine meetings. My Tender Matador is an extraordinary novel of revolution and forbidden love, and a stirring portrait of Chile at an historical crossroads. By turns funny and profoundly moving, Pedro Lemebel's lyrical prose offers an intimate window into the mind of Pinochet himself as the world of Carlos and the Queen prepares to collide with the dictator's own in a fantastic and unexpected way.
Winner of the National Book Critics Circle Translation Prize
*Finalist for the National Translation Award*
*Honorable Mention for the Society of Authors TA (Translators Association) First Translation Prize*
*Honorable Mention for the Queen Sofía Spanish Institute Translation Prize*
“These days, when an American president has decreed that ‘there are only two genders: male and female’ . . . an undaunted, lyrical voice from a southern corner of the hemisphere offers a model of resistance.” —The New Yorker
“Intoxicating . . . Sexy, political and deeply humane . . . We all owe Penguin Classics a round of shots for A Last Supper of Queer Apostles.” —The Washington Post
A galvanizing look at life on the margins of society by a crowning figure of Latin America's queer counterculture who celebrated “melodrama, kitsch, extravagance, and vulgarity of all kinds” (Garth Greenwell) in playful, performative, linguistically inventive essays, now in English for the first time.
“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless. Touching on everything from Che Guevara to Elizabeth Taylor, from the aftermath of authoritarian rule to the daily lives of Chile’s locas—a slur for trans women and effeminate gay men that he boldly reclaims—his writing infuses political urgency with playfulness, realism with absurdism, and resistance with camp, and his AIDS crónicas immortalize a generation of Chileans doubly “disappeared” by casting each loca, as she falls sick, in the starring role of her own private tragedy. This volume brings together the best of his work, introducing readers of English to the subversive genius of a literary activist and queer icon whose acrobatic explorations of the Santiago demimonde reverberate around the world.
A lyrical and suspenseful debut novel about a mysteriously gifted Korean family confronting the brutality of the Japanese empire, Honey in the Wound is an epic tale of survival and the reclamation of power.
A sister disappears and returns as a tiger. A mother’s voice compels the truth from any tongue. A granddaughter divines secrets in others’ dreams. These women are all of one lineage—a Korean family split across decades and borders by Japanese imperialism.
At this saga’s heart is Young-Ja, a girl who infuses food with her emotions. She revels in her gift for cooking, nourishing the people she loves with her cheerfulness. But her sunny childhood comes to an end in 1931 when Japanese soldiers crush her family’s defiance against the Empire. Young-Ja is cast adrift, her food turning increasingly bitter with grief. When a Korean rebel fighter notices her talents, however, she is whisked off to Manchuria to join a secretive sisterhood of beautiful teahouse spies. There, Young-Ja finds a new sense of belonging and starts using her abilities for the resistance. But the Imperial Army is not yet finished with her…
Decades later, Young-Ja lives alone in Seoul, withdrawn from the world until her Tokyo-born granddaughter Rinako bursts into her life with the ability to see into dreams. In cultivating a tentative bond, they confront the long-buried past in a stunning emotional climax.
As an unforgettable family perseveres in the long shadow of colonialism, Honey in the Wound transports readers to mountain forests where tiger-girls stalk, to Manchurian teahouses and opium dens where charming smiles veil secrets, and to the modern metropolises of Tokyo and Seoul where restless ghosts stir. This debut novel is a tender yet powerful multi-generational drama that shines light onto the twentieth century’s darkest corners and gives voice to those who bore witness.
A New York Times Notable Book
Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum, edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more.
A Most-Anticipated book of 2021 as selected by: Marie Claire, O, The Oprah Magazine, Cosmopolitan, Time, Refinery29, Shape, Town & Country, Book Riot, Literary Hub.
Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors.
The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a sex theater in early-20th century Paris. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.
From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in a West that betrays its fundamental values
On October 25, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet has been viewed more than 10 million times.
As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human—not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege. One Day, Everyone Will Have Always Been Against This is a chronicle of that painful realization, a moral grappling with what it means, as a citizen of the U.S., as a father, to carve out some sense of possibility in a time of carnage.
This is El Akkad’s nonfiction debut, his most raw and vulnerable work to date, a heartsick breakup letter with the West. It is a brilliant articulation of the same breakup we are watching all over the United States, in family rooms, on college campuses, on city streets; the consequences of this rupture are just beginning. This book is for all the people who want something better than what the West has served up. This is the book for our time.
The Trinity of Fundamentals follows the story of 22-year-old Kan’an during his nine years of hiding from the occupation between 1982 and 1991. Driven by an unshakable commitment to the Palestinian cause, Kan’an takes the reader through his compelling journey filled with sacrifice and struggle, love and pain, isolation and liberation. All the while, major political and historical transformations unfold across international, regional, and local contexts, including the First Intifada. Throughout all this, Kan’an maintains a spirit of revolutionary optimism so strong that the reader is bound to be transformed. It is all the more moving to know that Kan’an’s story is inspired by the real-life experience of Rafeedie as he organized and struggled against the Zionist oppression of his people.
Love, revolution, and life—these are the “Trinity of Fundamentals'' that pave Kan’an’s path of struggle. Although the novel is set in the past, it holds many lessons that resonate with our current political moment, mobilizing us into collective action.
A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history.
In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective.
Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process.
Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.
A Palestinian activist jailed at sixteen after a confrontation with Israeli soldiers illuminates the daily struggles of life under occupation in this moving, deeply personal memoir.
ONE OF THE BEST BOOKS OF THE YEAR: Kirkus Reviews
“What would you do if you grew up seeing your home repeatedly raided? Your parents arrested? Your mother shot? Your uncle killed? Try, for just a moment, to imagine that this was your life. How would you want the world to react?”
Ahed Tamimi is a world-renowned Palestinian activist, born and raised in the small West Bank village of Nabi Saleh, which became a center of the resistance to Israeli occupation when an illegal, Jewish-only settlement blocked off its community spring. Tamimi came of age participating in nonviolent demonstrations, and her global renown reached an apex in December 2017, when, at sixteen years old, she was filmed slapping an Israeli soldier who refused to leave her front yard. The video went viral, and Tamimi was arrested.
But this is not just a story of activism or imprisonment. It is the human-scale story of an occupation that has riveted the world and shaped global politics, from a girl who grew up in the middle of it. An essential addition to an important conversation, THEY CALLED ME A LIONESS shows us what is at stake in this struggle and offers a fresh vision for resistance. With their unflinching, riveting storytelling, Ahed Tamimi and Dena Takruri shine a light on the humanity not just in occupied Palestine but also in the unsung lives of people struggling for freedom around the world.
The renowned poet and literature professor Refaat Alareer was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. “If I Must Die” is included here, alongside Refaat’s other poetry.
Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting, in the face of it all, to be the one paying at the supermarket checkout.
Such pieces, some never before published, have been curated here by one of Refaat’s closest friends and collaborators. This collection forms a fitting testament to a remarkable writer, educator, and activist, one whose voice will not be silenced by death but will continue to assert the power of learning and humanism in the face of barbarity.
Compiled by bestselling author susan abulhawa, an Arabic-English bilingual anthology of essays from eighteen young Palestinian writers trying to survive the genocide in Gaza.
In early 2024, writer and activist susan abulhawa managed to enter Gaza twice through the Rafah crossing. There, at the Culture and Free Thought Association, susan held a series of workshops for young people who had been displaced to tent encampments. The lives of all participants were marked by unrelenting Israeli violence and extraordinary loss—of home, family, safety, education, electricity, and all the structures of life. They’d fled from place to place as Israel’s colonial violence swirled around them, complete with food and water insecurity and constant threat. Still, despite the bitterness of life in tents and the dangers of travel, they came together to share in the refuge of writing and community.
Samya recounts a tender moment with an old man mending shoes in the street, while her cousin Saja hides books in her closet, hoping they and her home will still be there when she returns. Ghassan is haunted by the baby he rescued from the rubble, who for a time became his son. Fatima risks it all retrieve her clothes from a danger zone buzzing with drones and warplanes. Maram’s loving aunt is gone, and chaos inhabits Amr’s mind. Samah, Lubna, Rizq, and Nebal take us by the hand through raining death, trails of tears, classroom shelters, and shared clothes in crowded tents.
Every Moment Is a Life delivers rare, unfiltered portraits of life under genocide, platforming the emerging voices struggling to survive in Gaza today. These essays are raw and real, capturing human moments—buying bread, going to the bathroom, sharing a meal, drinking coffee—all set against the backdrop of history’s first livestreamed ethnic cleansing. With courage, anger, love, agony, and—impossibly—hope, these achingly tender voices from Gaza will stay with us, captured in these pages, forever.
A NEW YORK TIMES BESTSELLER
Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda and maps a course towards collective liberation in ten unapologetic essays.
Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda in ten unapologetic essays. Drawing connections between Biblical promises and exploding pagers, medieval dress codes and modern-day apartheid, Kern sketches a sweeping history of imperialism with their characteristic blend of far-ranging research, pop-culture insights, and scathing humor.
Kern, a former teacher, journalist, novelist, and book influencer, gained international recognition as an anti-Zionist Jewish activist in the days after October 7th, 2023. At a time when social media was flooded with “I Stand with Israel” posts, Kern started sharing content encouraging their followers to read Palestinian books, learn Palestinian history, and question Western reporting on Palestine—videos which went viral into tens of millions of views.
Despite facing hate messages, death threats, and exile from the Zionist Jewish community, Kern has remained steadfast in their advocacy over the past year. They’ve posted daily videos on Palestinian, Jewish, and colonial history, and they’ve raised over $500,000 in direct aid for families in Gaza—all while navigating the challenges of pregnancy, childbirth, and parenting a newborn. In Genocide Bad, Kern reflects on the life experiences that led them to anti-Zionist activism, while capturing and expanding upon their online educational content.
Kern doesn’t flinch when confronting the horrors of genocides past and present, but there is also tremendous hope contained in these pages—hope that springs from examples of courage and resilience in the face of extreme violence, and from the kinds of resistance that might just lead to our collective liberation.
A NEW YORK TIMES NOTABLE BOOK
You are alive
for a moment
when living people
run after you.
Barely thirty years old, Mosab Abu Toha was already a well-known poet when the current siege of Gaza began. After the Israeli army bombed and destroyed his house, pulverizing a library he had painstakingly built for community use, he and his family fled for their safety. Not for the first time in their lives.
Somehow, amid the chaos, Abu Toha kept writing poems. These are those poems. Uncannily clear, direct, and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Here are directives for what to do in an air raid; here are lyrics about the poet’s wife, singing to his children to distract them. Huddled in the dark, Abu Toha remembers his grandfather’s oranges, his daughter’s joy in eating them.
Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely livable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination—even as it is watched live. Abu Toha's poems introduce readers to his extended family, some of them no longer with us. This is an urgent, extraordinary, and arrestingly whimsical book. Searing and beautiful, it brings us indelible art in a time of terrible suffering.
A Latina Writing Comunidad Book Pick
An NPR Best Book of the Year
A TimeMagazine Most Anticipated Book of the Year
The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of a Palestinian-American woman, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents.
Yara Murad has worked hard to outrun the demons of her tumultuous Brooklyn childhood. Now living far from home, Yara has achieved everything she aspired to: She is highly educated and teaches art to college student. She's also raising two daughters with her businessman husband, Fadi. Her marriage is nothing like her parents' high-conflict relationship, and she knows her life is worlds better and freer than her mother’s.
So why doesn’t it feel that way? Why does Yara experience flashes of anger out of nowhere or a sadness she can’t name? When an incident at the college threatens her job, her mother suggests that a family curse could be to blame. While Yara doesn’t believe in old superstitions, she's shaken as she finds her carefully constructed world beginning to implode. To save herself, Yara must finally confront the childhood she thought she’d left behind and forge her own path forward.
Longlisted for the 2021 International Booker Prize
Finalist for the National Book Award
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba—the catastrophe that led to the displacement and exile of some 700,000 people—and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand.
Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.
The #1 New York Times bestselling author of Between the World and Me travels the world to explore how the stories we tell--and the ones we don't--shape our realities.
Coates originally set off to write a book about writing, in the tradition of Orwell's classic Politics and the English Language, but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.
The first of the book's three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist—and named for Nubian pharaoh—Coates had never set foot on the African continent until now. He roams the "steampunk" city of "old traditions and new machinery," meeting with strangers and dining with local writers who quiz him in French about African American politics. But everywhere he goes he feels as if he's in two places at once: a modern city in Senegal and a mythic kingdom in his mind, the pan-African homeland he was raised to believe was the origin and destiny for all black people. Finally he travels to the slave castles off the coast and touches the ocean that carried his ancestors away in chains—and has his own reckoning with the legacy of the Afrocentric dream.
Back in the USA he takes readers along with him to Columbia, South Carolina, where he explores a different mythology, this one enforced on its subjects by the state. He enters the world of the teacher whose job is threatened for teaching one of Coates's own books and discovers a community of mostly white supporters who were transformed and even radicalized by the stories they discovered in the "racial reckoning" of 2020o. But he also explores the backlash to this reckoning and the deeper myths and stories of the community—a capital of the confederacy with statues of segregationists looming over the its public squares.
In Palestine, the longest of the essays, he discovers the devastating gap between the narratives we've accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians--the old, who remember their dispossessions on two continents, and the young who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him--and makes the war that would soon come all the more devastating.
Written at a dramatic moment in American and global life, this work from one of the country's most important writers is about the urgent need to untangle ourselves from the destructive nationalist myths that shape our world--and our own souls-- and embrace the liberating power of even the most difficult truths.
Begins Shipping 2/11/25
Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation.
Palestine is a microcosm of the world: on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial.
Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation.
How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple demand: dignity for the Palestinian.
The Gaza Strip is among the most densely populated places in the world. More than two-thirds of its inhabitants are refugees, and more than half are under eighteen years of age. Since 2004, Israel has launched eight devastating “operations” against Gaza’s largely defenseless population. Thousands have perished, and tens of thousands have been left homeless. In the meantime, Israel has subjected Gaza to a merciless illegal blockade.
What has befallen Gaza is a man-made humanitarian disaster.
Based on scores of human rights reports, Norman G. Finkelstein's new book presents a meticulously researched inquest into Gaza’s martyrdom. He shows that although Israel has justified its assaults in the name of self-defense, in fact these actions constituted flagrant violations of international law.
But Finkelstein also documents that the guardians of international law—from Amnesty International and Human Rights Watch to the UN Human Rights Council—ultimately failed Gaza. One of his most disturbing conclusions is that, after Judge Richard Goldstone's humiliating retraction of his UN report, human rights organizations succumbed to the Israeli juggernaut.
Finkelstein’s magnum opus is both a monument to Gaza’s martyrs and an act of resistance against the forgetfulness of history.
WINNER OF THE NAGUIB MAHFOUZ MEDAL FOR LITERATURE
A fierce and moving work and an unparalleled rendering of the human aspects of the Palestinian predicament.
Barred from his homeland after 1967’s Six-Day War, the poet Mourid Barghouti spent thirty years in exile—shuttling among the world’s cities, yet secure in none of them; separated from his family for years at a time; never certain whether he was a visitor, a refugee, a citizen, or a guest. As he returns home for the first time since the Israeli occupation, Barghouti crosses a wooden bridge over the Jordan River into Ramallah and is unable to recognize the city of his youth. Sifting through memories of the old Palestine as they come up against what he now encounters in this mere “idea of Palestine,” he discovers what it means to be deprived not only of a homeland but of “the habitual place and status of a person.” A tour de force of memory and reflection, lamentation and resilience, I Saw Ramallah is a deeply humane book, essential to any balanced understanding of today’s Middle East.
Linda Sarsour, co-organizer of the Women’s March, shares an “unforgettable memoir” (Booklist) about how growing up Palestinian Muslim American, feminist, and empowered moved her to become a globally recognized activist on behalf of marginalized communities across the country.
On a chilly spring morning in Brooklyn, nineteen-year-old Linda Sarsour stared at her reflection, dressed in a hijab for the first time. She saw in the mirror the woman she was growing to be—a young Muslim American woman unapologetic in her faith and her activism, who would discover her innate sense of justice in the aftermath of 9/11. Now heralded for her award-winning leadership of the Women’s March on Washington, Sarsour offers a “moving memoir [that] is a testament to the power of love in action” (Michelle Alexander, author of The New Jim Crow).
From the Brooklyn bodega her father owned, where Linda learned the real meaning of intersectionality, to protests in the streets of Washington, DC, Linda’s experience as a daughter of Palestinian immigrants is a moving portrayal of what it means to find one’s voice and use it for the good of others. We follow Linda as she learns the tenets of successful community organizing and through decades of fighting for racial, economic, gender, and social justice, as she becomes one of the most recognized activists in the nation. We also see her honoring her grandmother’s dying wish, protecting her children, building resilient friendships, and mentoring others even as she loses her first mentor in a tragic accident. Throughout, she inspires you to take action as she reaffirms that we are not here to be bystanders.
In this “book that speaks to our times” (The Washington Post), Harry Belafonte writes of Linda in the foreword, “While we may not have made it to the Promised Land, my peers and I, my brothers and sisters in liberation can rest easy that the future is in the hands of leaders like Linda Sarsour. I have often said to Linda that she embodies the principle and purpose of another great Muslim leader, Brother Malcolm X.”
This is her story.
Winner of the Dayton Literary Peace Prize and the Arab American Book Award
A Best Book of the Year: NPR, NYLON, Kirkus, Bustle, BookPage.
"What does home mean when you no longer have a house—or a homeland? This beautiful novel traces one Palestinian family’s struggle with that question and how it can haunt generations. . . . This is an example of how fiction is often the best filter for the real world around us." — NPR
Lyrical and heartbreaking, Salt Houses is a multigenerational saga that follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can’t go home again.
On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.
Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home and their land, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities.
A remarkable work of diaspora fiction, Salt Houses is a debut novel that challenges and humanizes an age-old conflict we might think we understand.
Pre-orders begin shipping on September 16, 2025
Everything Grows in Jiddo’s Garden is the story of a young Palestinian girl and her Jiddo–her grandfather.
Jiddo’s garden is a wonder. In it grows so many amazing things–to see, smell, and taste. But helping him to tend the garden teaches this young girl about even more than fig trees. It gives her a chance to discover just who she is.
Many years ago, like so many Palestinians, her family was forced to leave their homeland. But Jiddo shows her how, until they can return, tending a garden can connect them to home–and to each other!
This heartwarming debut picture book by Jenan Matari explores themes of displacement, belonging, and an enduring connection to the land. With stunning illustrations by Aya Ghanameh, it’s a poignant celebration of love, identity, and hope.
In these newly collected essays, interviews, and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world.
Reflecting on the importance of black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today's struggles against state terror, from Ferguson to Palestine.
Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that "Freedom is a constant struggle."
From one of the most influential intellectuals of our time comes an extraordinary story of exile and a celebration of an irrecoverable past. A fatal medical diagnosis in 1991 convinced Edward Said that he should leave a record of where he was born and spent his childhood, and so with this memoir, he rediscovers the lost Arab world of his early years in Palestine, Lebanon, and Egypt.
Said writes with great passion and wit about his family and friends from his birthplace in Jerusalem, schools in Cairo, summers in the mountains above Beirut, to boarding school and college in the United States, revealing an unimaginable world of rich, colorful characters and exotic eastern landscapes. Underscoring all is the confusion of identity the young Said experienced as he came to terms with the dissonance of being an American citizen, a Christian, a Palestinian, and, ultimately, an outsider. Richly detailed, moving, and often profound, Out of Place depicts a young man's coming of age and the genesis of a great modern thinker.
Renowned Israeli historian, Ilan Pappe’s groundbreaking work on the formation of the State of Israel.
Between 1947 and 1949, over 400 Palestinian villages were deliberately destroyed, civilians were massacred and around a million men, women, and children were expelled from their homes at gunpoint.
Denied for almost six decades, had it happened today it could only have been called ‘ethnic cleansing’. Decisively debunking the myth that the Palestinian population left of their own accord in the course of this war, Ilan Pappe offers impressive archival evidence to demonstrate that, from its very inception, a central plank in Israel’s founding ideology was the forcible removal of the indigenous population. Indispensable for anyone interested in the current crisis in the Middle East.
A probing look at one of the most incendiary subjects of our time—the relationship between the United States and Israel.
There has been more than half a century of raging conflict between Jews and Arabs—a violent, costly struggle that has had catastrophic repercussions in a critical region of the world. In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and, as such, must account for its repeated failed diplomacy efforts to resolve this enduring strife.
The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows—right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective and peopled by colorful and outsized personalities and politics, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it.
For readers of Pachinko and Queenie, a funny, sexy, and heart-wrenching literary debut that explores exile, ambition, and hope across three generations of Palestinian American women.
Arabella gets an unexpected chance at love when she’s thrust into a conflict and history she’s tried to avoid all her life.
Zoya is playing matchmaker for her last unmarried granddaughter and stirring up buried memories.
Naya is keeping a secret from her children that will change all their lives.
Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic—that might garner international attention—in the West Bank. Her mother, Naya, and grandmother, Zoya, hatch a plot to match her with Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz, since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster...
With biting hilarity, Too Soon introduces us to a trio of bold and unforgettable voices. This dramatic saga follows one family’s epic journey fleeing war-torn Jaffa in 1948, chasing the American Dream in Detroit and San Francisco in the sixties and seventies, hustling in the New York theatre scene post-9/11, and daring to stage a show in Palestine in 2012. Upon learning one of them is living on borrowed time, the three women fight to live, make art, and love on their own terms. A funny, sexy, and heart-wrenching literary debut, Too Soon illuminates our shared history and asks, how can we set ourselves free?
A Goodreads Choice Awards Finalist for Best Fiction and Best Debut
A Marie Claire Best Women's Fiction of the Year
A New York Times Book Review Editors’ Choice
The New York Times bestseller and Read with Jenna TODAY SHOW Book Club pick telling the story of three generations of Palestinian-American women struggling to express their individual desires within the confines of their Arab culture in the wake of shocking intimate violence in their community.
"Where I come from, we’ve learned to silence ourselves. We’ve been taught that silence will save us. Where I come from, we keep these stories to ourselves. To tell them to the outside world is unheard of—dangerous, the ultimate shame.”
Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children—four daughters instead of the sons Fareeda tells Isra she must bear.
Brooklyn, 2008. Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man.
But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family—knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.
Free Palestine!
Casa de Niebla se inicia con una advertencia: ”No habrá asesinato ni asesino, pero sí existirá un crimen”. Ubicada en los primeros días del siglo XX, esta novela cuenta la historia de Helga en una mansión cercada por la niebla, mientras el fantasma de Teresa aparece todas las noches rondando las aguas de la laguna. Se crea así la atmósfera de una novela llena de sombras y misterios para la protagonista, que vive el amor no correspondido e incursiona en la realidad onírica. Escrita en la década de los cuarenta, la estética gótica se elabora utilizando técnicas cinematográficas de aquella época en el estilo tan peculiar de María Luisa Bombal. El crimen descifrado a través del formato detectivesco arroja pistas sobre un adulterio que irónicamente resulta impune. Y en el contraste, lo sobrenatural, la vida más allá de la muerte se presenta como aquello que no admite pesquisas racionales. Publicada en 1947 en inglés bajo el título House of mist y traducida hasta ahora al francés, sueco, portugués y japonés, después de sesenta y cinco años los lectores de habla hispana pueden acceder a la única obra inédita en español de una de las más grandes escritoras chilenas y latinoamericanas del siglo XX.
“Was desire something like being possessed by a nightmare?”
Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise?
When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.
Centered around the 1986 attempt on the life of Augusto Pinochet, an event that changed Chile forever, My Tender Matador is one of the most explosive, controversial, and popular novels to have been published in that country in decades. It is spring 1986 in the city of Santiago, and Augusto Pinochet is losing his grip on power. In one of the city's many poor neighborhoods works the Queen of the Corner, a hopeless and lonely romantic who embroiders linens for the wealthy and listens to boleros to drown out the gunshots and rioting in the streets. Along comes Carlos, a young, handsome man who befriends the aging homosexual and uses his house to store mysterious boxes and hold clandestine meetings. My Tender Matador is an extraordinary novel of revolution and forbidden love, and a stirring portrait of Chile at an historical crossroads. By turns funny and profoundly moving, Pedro Lemebel's lyrical prose offers an intimate window into the mind of Pinochet himself as the world of Carlos and the Queen prepares to collide with the dictator's own in a fantastic and unexpected way.
Winner of the National Book Critics Circle Translation Prize
*Finalist for the National Translation Award*
*Honorable Mention for the Society of Authors TA (Translators Association) First Translation Prize*
*Honorable Mention for the Queen Sofía Spanish Institute Translation Prize*
“These days, when an American president has decreed that ‘there are only two genders: male and female’ . . . an undaunted, lyrical voice from a southern corner of the hemisphere offers a model of resistance.” —The New Yorker
“Intoxicating . . . Sexy, political and deeply humane . . . We all owe Penguin Classics a round of shots for A Last Supper of Queer Apostles.” —The Washington Post
A galvanizing look at life on the margins of society by a crowning figure of Latin America's queer counterculture who celebrated “melodrama, kitsch, extravagance, and vulgarity of all kinds” (Garth Greenwell) in playful, performative, linguistically inventive essays, now in English for the first time.
“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless. Touching on everything from Che Guevara to Elizabeth Taylor, from the aftermath of authoritarian rule to the daily lives of Chile’s locas—a slur for trans women and effeminate gay men that he boldly reclaims—his writing infuses political urgency with playfulness, realism with absurdism, and resistance with camp, and his AIDS crónicas immortalize a generation of Chileans doubly “disappeared” by casting each loca, as she falls sick, in the starring role of her own private tragedy. This volume brings together the best of his work, introducing readers of English to the subversive genius of a literary activist and queer icon whose acrobatic explorations of the Santiago demimonde reverberate around the world.
Set in an alternate reality where pregnancy endows women with exceptional powers, one new mother uncovers terrifying truths about herself and life in this philosophical and propulsive tale of a woman and mother in crisis.
In a world where drastic measures have averted the global environmental crisis, humans too are now subject to great transformation.
Vivi should be happy she’s pregnant. But she’s troubled by a looming reality that seemingly bothers no one else: having a baby also means birthing an identical, nearly indestructible self who will eat her and take her place. “Rebirth” is simply a fact of life—nature’s way of equipping women for the challenges of motherhood. But as Vivi’s unborn child develops, so does her fear.
In a rare turn of events, Vivi emerges from rebirth weakened rather than strong. When her husband cannot tolerate her defects, they divorce and Vivi relocates to the country with her baby to work for her old boss.
Chronically exhausted, mentally struggling, and on her own, Vivi must move on—for her own and her son’s sake. But just as with her failed rebirth, swapping old for new isn’t as straightforward as it seems. When Vivi finally discovers what went wrong during childbirth, it will rewrite her life utterly: future, present, and past.
An inspired blend of Nightbitch and The Substance, as enthralling and incisive as The School of Good Mothers and The Need, But Won’t I Miss Me is a gripping and profound exploration of the physical and psychological tolls of motherhood, with a speculative horror spin. Tiffany Tsao imaginatively reveals the macabre hidden in the mundane and asks us to consider what we lose of ourselves when we leave our broken parts behind.
A startling book-length essay, at once grand and intimate, from National Book Award finalist Nona Fernández.
Voyager begins with Nona Fernández accompanying her elderly mother to the doctor to seek an explanation for her frequent falls and inability to remember what preceded them. As the author stares at the image of her mother’s brain scan, it occurs to her that the electrical signals shown on the screen resemble the night sky.
Inspired by the mission of the Voyager spacecrafts, Fernández begins a process of observation and documentation. She describes a recent trip to the remote Atacama desert―one of the world’s best spots for astronomical observation―to join people who, like her, hope to dispel the mythologized history of Chile’s new democracy. Weaving together the story of her mother’s illness with story of her country and of the cosmos itself, Fernández braids astronomy and astrology, neuroscience and memory, family history and national history into this brief but intensely imagined autobiographical essay. Scrutinizing the mechanisms of personal, civic, and stellar memory, she insists on preserving the truth of what we’ve seen and experienced, and finding ways to recover what people and countries often prefer to forget.
In Voyager, Fernández finds a new container for her profound and surreal reckonings with the past. One of the great chroniclers of our day, she has written a rich and resonant book.
Winner of the Dayton Literary Peace Prize and the Arab American Book Award
A Best Book of the Year: NPR, NYLON, Kirkus, Bustle, BookPage.
"What does home mean when you no longer have a house—or a homeland? This beautiful novel traces one Palestinian family’s struggle with that question and how it can haunt generations. . . . This is an example of how fiction is often the best filter for the real world around us." — NPR
Lyrical and heartbreaking, Salt Houses is a multigenerational saga that follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can’t go home again.
On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.
Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home and their land, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities.
A remarkable work of diaspora fiction, Salt Houses is a debut novel that challenges and humanizes an age-old conflict we might think we understand.
Después de sufrir un colapso emocional y dejar su carro parado en medio del tránsito, Juan renuncia a su vida. A su vez, Greta, tras acarrear como un lastre la pérdida de su hija en un accidente automovilístico, pone fin a su matrimonio y se empeña, en modo de catarsis, recolectar las partes perdidas del mismo furgón donde ocurrió el accidente. Desde una narración fragmentaria que toca las fibras más sensibles de las pérdidas y anhelos de los personajes, Nona Fernández escribe de manera clara e íntima el trauma de la pérdida y como ésta une como un hilo invisible a sus protagonistas, que aislados, escindidos y despojados buscan resignificar su trauma incluso después de la muerte.
Finalist for the National Book Award for Translated Literature
An engrossing, incantatory novel about the legacy of historical crimes by the author of Space Invaders
It is 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández’s mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man’s face on the magazine’s cover with the words “I Tortured People.” His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian. Like a secret service agent from the future, through extraordinary feats of the imagination, Fernández follows the “man who tortured people” to places that archives can’t reach, into the sinister twilight zone of history where morning routines, a game of chess, Yuri Gagarin, and the eponymous TV show of the novel’s title coexist with the brutal yet commonplace machinations of the regime.
How do crimes vanish in plain sight? How does one resist a repressive regime? And who gets to shape the truths we live by and take for granted? The Twilight Zone pulls us into the dark portals of the past, reminding us that the work of the writer in the face of historical erasure is to imagine so deeply that these absences can be, for a time, spectacularly illuminated.
House of Mist stands as one of the first South American novels written in the style that was later called magical realism. Of this story of a young bride struggling with her marriage to an aloof landowner―and the mysteries surrounding their life together―in a house deep in the lush Chilean woods, Penelope Mesic wrote in the Chicago Tribune that Bombal showed "bold disregard for simple realism in favor of a heightened reality in which the external world reflects the internal truth of the characters' feeling . . . mingling . . . fantasy, memory and event."
"One of the most outstanding representations of the avant-garde in Latin America." -Women Writers of Spanish America
Longlisted for the 2025 International Booker Prize
Named one of the Best Books of the Year by NPR
“Life’s a bitch. That’s why you gotta rattle her cage, even if she’s foaming at the mouth.” In the linked stories of Reservoir Bitches, thirteen Mexican women prod the bitch that is Life and become her. From the all-powerful daughter of a cartel boss to the victim of transfemicide, from a houseful of spinster seamstresses to a socialite who supports her politician husband by faking Indigenous roots, these women spit on their own reduction and invent new ways to endure, telling their own stories in bold, unapologetic voices. At once a work of dark humor and social critique, Reservoir Bitches is a raucous debut from one of Mexico’s most thrilling new writers.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.
His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.
Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
The House of the Spirits, which introduced Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political power is tempered only by his love for his delicate wife Clara, a woman with a mystical connection to the spirit world. When their daughter Blanca embarks on a forbidden love affair in defiance of her implacable father, the result is an unexpected gift to Esteban: his adored granddaughter Alba, a beautiful and strong-willed child who will lead her family and her country into a revolutionary future.
One of the most important novels of the twentieth century, The House of the Spirits is an enthralling epic that spans decades and lives, weaving the personal and the political into a universal story of love, magic, and fate.
GOOD MORNING AMERICA BUZZ PICK
A woman’s mysterious death puts her husband and son on a collision course with her demonic family in the first novel to be translated into English by the International Booker Prize
A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, they travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.
For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar's father go to protect his child? And can anyone escape their fate?
Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina's military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes.
NEW YORK TIMES BESTSELLER
LONGLISTED FOR THE BOOKER PRIZE
ONE OF BARACK OBAMA’S FAVORITE BOOKS OF THE SUMMER
Pulitzer Prize–winning, #1 New York Times bestselling author Elizabeth Strout’s new novel tells the story of a chance incident that sparks a powerful realization in a beloved teacher’s life—a poignant meditation on loneliness, friendship, parenthood, and the importance of truth in a capsizing world
Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his mind: How is it that we know so little about one another, even those closest to us?
And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence.
Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for each and every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, captures the abiding love that sustains and holds us all.