The Nature Book by Tom Comitta
PART SWEEPING EVOCATION OF EARTH’S RHYTHMS, PART LITERARY ARCHIVE, PART POST-HUMAN NOVEL, THE NATURE BOOK COLLAGES DESCRIPTIONS OF THE NATURAL WORLD INTO A SINGULAR SYMPHONIC PAEAN TO THE PLANET.
What does our nature writing say about us, and more urgently, what would it say without us? Tom Comitta investigates these questions and more in The Nature Book, a “literary supercut” that arranges writing about the natural world from three hundred works of fiction into a provocative re-envisioning of the novel. With fiction’s traditional background of flora and fauna brought to the fore, people and their structures disappear, giving center stage to animals, landforms, and weather patterns—honored in their own right rather than for their ambient role in human drama. The Nature Book challenges the confines of anthropocentrism with sublime artistic vision, traversing mountains, forests, oceans, and space to shift our attention toward the magnificently complex and interconnected world around us.
PART SWEEPING EVOCATION OF EARTH’S RHYTHMS, PART LITERARY ARCHIVE, PART POST-HUMAN NOVEL, THE NATURE BOOK COLLAGES DESCRIPTIONS OF THE NATURAL WORLD INTO A SINGULAR SYMPHONIC PAEAN TO THE PLANET.
What does our nature writing say about us, and more urgently, what would it say without us? Tom Comitta investigates these questions and more in The Nature Book, a “literary supercut” that arranges writing about the natural world from three hundred works of fiction into a provocative re-envisioning of the novel. With fiction’s traditional background of flora and fauna brought to the fore, people and their structures disappear, giving center stage to animals, landforms, and weather patterns—honored in their own right rather than for their ambient role in human drama. The Nature Book challenges the confines of anthropocentrism with sublime artistic vision, traversing mountains, forests, oceans, and space to shift our attention toward the magnificently complex and interconnected world around us.
PART SWEEPING EVOCATION OF EARTH’S RHYTHMS, PART LITERARY ARCHIVE, PART POST-HUMAN NOVEL, THE NATURE BOOK COLLAGES DESCRIPTIONS OF THE NATURAL WORLD INTO A SINGULAR SYMPHONIC PAEAN TO THE PLANET.
What does our nature writing say about us, and more urgently, what would it say without us? Tom Comitta investigates these questions and more in The Nature Book, a “literary supercut” that arranges writing about the natural world from three hundred works of fiction into a provocative re-envisioning of the novel. With fiction’s traditional background of flora and fauna brought to the fore, people and their structures disappear, giving center stage to animals, landforms, and weather patterns—honored in their own right rather than for their ambient role in human drama. The Nature Book challenges the confines of anthropocentrism with sublime artistic vision, traversing mountains, forests, oceans, and space to shift our attention toward the magnificently complex and interconnected world around us.
“Symphonic, both in its structure—four movements, the third of which is the most distinct and the last of which references the first and goes out in a brilliant burst—and in the way language echoes, builds, works its accretive magic. . . . Seeing the world like this, without us, traversed in a way we could never traverse it in our human bodies, is a powerful and exhilarating experience.”
“A marvel of textual collation on a par with Christian Marclay’s supercut film ‘The Clock.’ It’s remarkable how coherently the narrative reads, despite its countless patchwork pieces, a testament not only to Comitta’s diligence but to the likeminded ways that novelists have tended to write about natural phenomena like snowfall or sunrise.”
ABOUT THE AUTHOR
Tom Comitta is the author of 〇, Airport Novella, and First Thought Worst Thought: Collected Books 2011–2014, a print and digital archive of forty “night novels,” art books, and poetry collections. Comitta’s fiction and essays have appeared in WIRED, Lit Hub, Electric Literature, the Los Angeles Review of Books, the Believer, BOMB, and Best American Experimental Writing 2020. They live in Brooklyn.
